Peindre, effacer, recommencer : à Genève, les murs refusent de se taire
Par Melisa Kisacik À Genève, il suffit de repasser deux fois au même endroit pour comprendre que les murs neContinue Reading
La Gazette de la Paix • An independent bilingual student publication of the Geneva Graduate Institute
Par Melisa Kisacik À Genève, il suffit de repasser deux fois au même endroit pour comprendre que les murs neContinue Reading
by Paolo Tarony Saisi de Chateauneuf On Sunday, June 14th, at 5:15 in the morning, I was on the streetsContinue Reading
Péter Magyar Election in Hungary By Paolo Tarony Saisi de Chateauneuf On the night of April 12th, on the banksContinue Reading
by Meera Mohankrishnan Exploring a new literacy genre can often feel intimidating. Committing to a book requires your time andContinue Reading
by Sabrina Casale Golconda by René Magritte is a surrealist composition painted in 1953. Despite taking its name from aContinue Reading
Picture: Knitting Party in London. Copyright : Instagram/ @finisterre By Gregory Wagner Why Gen Z is trading screens for yarn,Continue Reading
By Francesca Polano Being born after the year 1995 brought with it an obstacle that was at once innate andContinue Reading
By Melisa Kisacik On May 13th, we launched the newest printed edition of our journal, an edition imagined for uncertainContinue Reading
Still under the shadow of a war. Still burying the dead. Sirens still split the night, and soldiers still move between shattered fronts. Yet there is champagne in the Knesset.
Itamar Ben-Gvir, the Israeli Minister of National Security, celebrated as lawmakers passed one of the most radical pieces of legislation in the state’s history: the expansion of the death penalty.
By Meera Mohankrishnan Kishwar Naheed’s, “The Grass is Really Like Me”, offers unique comparative symbolism for understanding how external pressuresContinue Reading
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